(04-25-2016, 02:16 AM)nervosa1901@ Wrote: I have an opinion that the definition of an artisan involves originality in all facets of creating the product.
(04-25-2016, 02:20 AM)NeoXerxes Wrote: I thought the discussion to the originality element was a natural transition
OK, fair enough. If you believe that an artisan actually creates NEW art, rather than merely being a skilled craftsman, then that is a valid opinion for discussion. Bickering with others here for personal reasons is not.
Now considering this opinion, its in direct contrast with the
dictionary definition "a worker who practices a trade or handicraft" Note the key word "worker". This is totally in line with the 100 year old
definitions
"Artist is a practiser [sic] of fine arts
Artisan is a practiser of vulgar arts
Mechanic is an Artisan in the mechanic arts
The artist ranks higher than the Artisan. The former requires intellectual refinement in the exercise of art; the later requires nothing but to know the general rules of his art"
The more I look at this the more convinced I am that "artisans" create nothing new. They are exactly what the primary dictionary definition defines them to be "skilled workers". They are not artists, per se and therefore, discussion on fragrances for artisans is moot. If someone throws Lavender Oil into a soap, that does not make them an artist.
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Now, the philosophy of the issue of "cloning" or scents by what I would call an artist - not an artisan. There might be two sides of this, legal and moral.
Legally, if it follows suit with other laws, as long as the seller does not label it the same, knock-offs in the US are not illegal. Counterfeiting for the seller is.
http://www.apreponderanceoffashion.com/f...-law-post/ Counterfeiting has trademark and copyright implications as well as fraud on the consumer as the labels are identical indicating you are buying something you are not. Knockoffs, OTH, are done all the time. Watch the Oscars and the same dress is made by someone else at a fraction of the price.
http://money.cnn.com/2015/02/24/luxury/r...knockoffs/ Its done all the time.
Morally? Counterfeiting is off the table. Knockoffs or imitations are something else. On one side you can view it as "
imitation is the sincerest form of flattery". Or it could be viewed as improving the original. ALL things are continually improved. If they were not improved, then we would still be riding horses. Just go back through technology of ALL history. EVERY technology is continually improved upon an original. Just look at your cars you drive. Back in the 1950s, one "artist", designed fins for cars. Here is the reference
https://en.wikipedia.org/wiki/Car_tailfin It was a styling element, clearly an artistic element. Once the first car had fins, they all had to have fins. ... Now fast forward to today. Just look at the cars around you. A decade ago fog lights or Daytime Running Lights (DRLs) were all halogens (more or less). Today, they are all LEDs. So aren't your rear brake lights, a series of LEDs. Somebody copied the original concept. This goes on and on and on as designs are adopted and altered. The earlier PC reference was spot on as well, all clones of the original IBM design. How about those flat screen TVs everyone has now? Do you even see Tube TVs anymore? Nobody sells them. Styling was copied over and over again.
So lets bring this back to soap and scents. I will claim "artists" create something new and "artisans" creates products (i.e., the fine arts vs the vulgar (i.e., common) arts). So speaking of the soap artists - if they do a knockoff of Old Spice, I personally got no issue with that. Now if they copied the exact formula and create the exact scent and labeled it "Old Spice" then that would counterfeiting, but a knockoff is no different than an Oscar dress. So why would they do that? For the exact same reason fashion people create Oscar Knockoffs, and for the exact same reason car makers all use LEDs in their DRLs today, and for the exact same reason they all put fins on their cars in the 1950s - Because consumers want them. And as long as consumers will buy them, so be it. Who doesn't want to get something close to the original cheaply? Do you really want to pay $30,000 for an Oscar dress or $300 locally and to the public they look nearly the same?
So if you want to blame anyone for knockoffs, blame the consumers who buy them. If there was no demand, there would be no knockoffs, but don't blame the "artist" who is merely fulfilling demand.
Phew ...
that was tiresome - sorry.